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The Organ Grinder’s Monkey is a musical collaboration between man and machine, an unholy alliance whose aim is to combine indie-rocking guitars with glitchy lo-fi electro beats and a dash of retro 8-bit synth.

Ben from The Organ Grinder's Monkey, sitting on a rockThe duo consists of Benjamin Sane: a human who sings and plays guitar, and Bill Murray: the laptop computer who provides the musical backdrop for his organic counterpart. “Man Against Machine” is the title of their debut EP, set to be released in the summer of ’09, and accompanied by a nationwide tour (of Brighton).

Bill and Ben met at school in Cornwall in the early 90’s, where Sane was a promising young maths student, and Murray a lowly BBC micro, capable of running only the most basic software. The idea of forming a band didn’t occur until over a decade later, however, when Sane’s previous indie-rock outfit imploded and he was abandoned by all of his human friends – left to sink into a downward spiral of depression and self-loathing, which to this day shows no sings of abating.

The Organ Grinder's MonkeyHaving failed in his attempts to secure regular work as a sound engineer – and forsaking a glittering career in retail – Sane was approached by Murray with the idea of working on new material together. Initially in favour of writing simple melodic indie-pop songs, Sane was soon convinced that creating a “live band” sound inside a computer was pointless, and was instead encouraged to adopt a more carefree experimental approach – learning to abuse the drum machines, samplers and FX that Murray was now equipped to handle.

By early 2009, the sound of The Organ Grinder’s Monkey had come together – a sound that the duo themselves describe as being “ideally somewhere between Super Furry Animals and Aphex Twin, with a healthy dose of chiptune thrown in”, but described by Sane’s few remaining acquaintances as “more like Noel Gallagher throwing up on a laptop.” Sane’s guitars and vocals bounce along on Murray’s broken beats, all the while being looped and twisted through banks of FX to create new shapes and unpredictable forms, but never sacrificing the underlying pop sensibilities.

The last word on the Organ Grinder’s Monkey must surely go to Garnett’s long suffering girlfriend Sarah, the group’s staunchest supporter and sometime backing vocalist:  “Sometimes I just wish he’d leave that fucking computer alone and come to bed.  It’s like he’s married to the damn thing or in love with it or something.  Freak.”